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Post by CopyOfCpt (just say Cor) on May 13, 2005 6:43:40 GMT
You've obviously been (may I say: heavily?) influenced by Kate's poetry. I can relate to them in a way, and if something does, it can't be bad, can it?
I also like the way you are playing around with ways of presenting the poem, making it as it were having hight and in stereo.
I have to re-read the poem a few more times to really apprehend the contents and look beyond the presentation before I can go into that.
BTW. Did the teacher spot the Kate references?
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Post by CopyOfCpt (just say Cor) on May 27, 2005 7:31:01 GMT
You're trio of poems could be interpreted in several ways: - Someone who is on the verge of doing (or even having done) something possibly fatal and has been rescued by someone - Someone feels lost (rejected?) but in the end finds his/her soulmate I may think of another couple given time, however for some reason it is always starting with something negative, but luckily ends with something good. Having said (or rather written) this; I realize that this also sounds like the plot of a thirteen in dozen romantic booklet...  Before anybody else comes with this comparison: is there a story behind these poems? |
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Post by CopyOfCpt (just say Cor) on May 30, 2005 5:49:14 GMT
Ok.. hmmm ... not sure I should be glad to have read the problems you had as accurately as I did. I hope you didn't take offence or something (none was intended). I truelly am glad that your friend picked up on your troubles.
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Post by Neo Stella on Jun 18, 2005 16:17:19 GMT
As I'm just talking about this elsewhere I thought I'd mention it here. Did you know the poem "The Ninth Wave" was written by Lord Tennyson who penned his version of the Arthurian Legend. Kate chose it as the final piece in the jigsaw for the concept side of The Hounds of Love.
He was born in the small hamlet of Brook on The Isle of Wight, UK. This has deep significance in the "Edge of Dreams."
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