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Post by Lori on Jul 14, 2003 22:08:55 GMT
Driving back in her car Watching the wipers Squashing the leaves away Suddenly there in the road Is your old self Trying to get out of the rain
I am my enemy Mowing me over And towing the light away Somehow it just seems to fit With that old me Trying to get back again
Imagination sets in Then all the voices begin Telling you things that aren't happening (But they nig and they nag, 'til they're under your skin.)
(You've really got to) Remember yourself You've got a Full House in your head tonight (You've got to, you've got to) Remember yourself Stand back and see emotion getting you uptight
My silly pride Digging the knife in She loves to come for her ride Surely by now I should know I can control My highs and my lows
By questioning all that I do Examining every move Trying to get back to the rudiments (If they nig and they nag, I'll just put in the boot.)
(You've really got to) Remember yourself You've got a Full House in your head tonight (You've got to, you've got to) Remember yourself Stand back and see emotion getting you uptight
Remember yourself You've got a Full House in your head tonight (You've got to, you've got to) Remember yourself Stand back and see emotion getting you uptight
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Post by passingthroughair on Nov 18, 2003 4:49:30 GMT
I got into Kate through being a fan of pogressive rock. It reminds me a bit of what Genesis were doing on the "Wind and Wuthering" album, especially the piano work. Also, I can really identify with the lyric content.
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Post by matanchik on Jan 2, 2005 19:03:56 GMT
this song is really progressive because of the many harmonies and great bass line in this song. it surely was inspired from progressive rock.
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Scott
Reaching Out
Get out of my house
Posts: 266
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Post by Scott on Jun 2, 2005 23:33:53 GMT
..........Watching the wipers, Squashing the leaves away............
This lyric, driving across the Puget Sound's many wateways, on a late Saturday night, I must say there is nothing better. And then, to hear, IN THE WARM ROOM, driving thru the mountains-I must say that this song should be placed at the top of what ever list we may be talking about at the moment. High marks to Kate for producing such a lush lyric, a lush vocal, and a truely well written song, from start to finish. A GIFT! Looking forward to more Kate.
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Post by Neo Stella on Jun 2, 2005 23:39:19 GMT
I got into Kate through being a fan of pogressive rock. It reminds me a bit of what Genesis were doing on the "Wind and Wuthering" album, especially the piano work. Also, I can really identify with the lyric content. Funny you should say this passingthroughair, the Wind and Wuthering album was my spiritual connection with Kate in 1977! (Its all in the book "Edge of Dreams")
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Post by matanchik on Jun 3, 2005 11:45:55 GMT
(Its all in the book "Edge of Dreams") i see you started the promotions already
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Post by moominreggie on Jun 20, 2005 17:30:10 GMT
this song is really progressive because of the many harmonies and great bass line in this song. it surely was inspired from progressive rock. all kates stuff could be called prog rock although i think thats a bit easy
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Post by tannis on Jan 14, 2008 11:51:50 GMT
KB: "I often wonder how valid it is to write a song purely about oneself. I worry about being too indulgent, and there is the thing about giving too much away... Fullhouse was probably quite autobiographical, you know: talking about how hard I find it to cope with all the feelings I get, from paranoia, pressure, anger, that sort of thing. My feelings are in there, but they're probably disguised. I've really enjoyed artists who indulge in personal writing. People like Leonard Cohen. I admire him, but I just can't stand listening to him. At the end of the album you feel so depressed." - Melody Maker, "Paranoia and Passion of the Kate Inside," by Colin Irwin, October 4, 1980. gaffa.org/reaching/i80_mm.htmlKB: "I know I'm not perfect, and it's that imperfection that keeps me wanting to do more. I think all my paranoias, all my doubts, all my vulnerabilities are what I depend on to keep my songs happening..." - Record Mirror, "Among The Bushes," by Mike Nicholls (1980). gaffa.org/reaching/i80_rm.htmlMiranda: "Look! Not down at the ground, Edith. Way up there in the sky..." - Picnic at Hanging Rock (1975).
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