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Post by tannis on Aug 12, 2009 9:27:17 GMT
"Elvis's Space Alien Baby!" The Weekly World News was a supermarket tabloid published in the United States from 1979 to 2007, renowned for its outlandish cover stories often based on supernatural or paranormal themes and an approach to news that verged on the satirical. Its characteristic black-and-white covers have become pop-culture images widely used in the arts.The New York Echo THE KING IS DEAD! Courtroom drama in Mafia case
Boston News THE WORLD MOURNS Congress ends in controversy
San Francisco Evening Post Goodbye Elvis... We'll Always Love You Horror crash kills 5 Cities Oldest Building 'At Risk' "ALIVE!", starring (often) Elvis Presley One of the other many recurring subjects was the occasional "ALIVE!" cover story. Most often the story pertained to some sort of human or creature, such as a mummy, prehistoric creature and occasionally a human who had been frozen in a block of ice. Another subject often tackled by WWN is the reemergence of many prominent figures believed by most to be deceased. Among the most frequently printed reports were those asserting that "Elvis is alive." The WWN frequently reported Elvis sightings with a series of articles claiming that Elvis Presley had faked his death and had recently emerged from years of seclusion to prepare for a comeback. In 1994, the newspaper broke the news about the death of a popular rock musician long presumed deceased, running a front cover that said "Elvis Presley Dead!", revealing that he had been living a secret life since 1977, but was now "really dead" from heart failure after slipping into a diabetic coma.en.wikipedia.org/wiki/Weekly_World_NewsDETROIT STANDARD Elvis Lives Again!
? Elvis Face Spotted On Moon Courtroom Drama in Mafia case
RUSSKII MIR Russian paper: The Russian paper had the headline "Elvis Dead". The headline below was incomplete but says, "...began with performance by South African conductor". The title of the paper (Russkii Mir) was fictional. American Media Inc. by Jennifer O'Neill One of my new-found friends was Maria Peters who worked for American Media Inc. (AMI). When I asked what newspaper they published she told me her library served the National Enquirer, Star, Globe, National Examiner, Sun, and Weekly World News. I had never thought about tabloids having to do research and I was dying to ask how they find out which alien is having Elvis' baby, but she was such a sweet person that I didn't want to put her on the defensive. (Vol. 24, No. 2/Winter 2002)www.ibiblio.org/slanews/nln/nln02/winter/index.htmInquirer ELVIS SPOTTED IN TIME SQUARE Man explodes after funny turn at charity gala[?]
El Paso Journal ELVIS PHOTO CRIES REAL TEARS Cop charged with Arson
Chinese paper: The strange thing is that the Chinese paper contained headlines that had nothing to do with Elvis whatsoever. Some stuff about lucky draws and parties. Or maybe Kate's leaving us some secret messages... Alien Pregnant by Elvis by Esther Friesner Closet readers of the National Enquirer and its sister tabloids, as well as fans of comic literature, will enjoy these 37 original, mostly lighthearted tales of Elvis, Bigfoot, UFOs, and alien conspiracies by a bevy of veteran and first-time sf and fantasy authors. From Laura Resnick's expose of the lives and times of Elinor of Acquitaine and her zany brood ("Those Rowdy Royals!") to John DeChancie's exploration of a favorite tabloid theme ("Hitler Clone in Argentina Plots Falklands Reprise"), these irreverent tales more often than not deliver their intended blows with accuracy and acumen. Recommended. Copyright 1994 Reed Business Information, Inc.www.amazon.com/Alien-Pregnant-Elvis-Esther-Friesner/dp/0886776104Minneapolis Herald I Had Elvis's Alien Baby Sudden drought hits Tobbaco crops[?] DISCRIMINATE, DISCRIMINATE, DISCRIMINATE I think that's what Thoreau meant when he recommended "simplify": "Discriminate"-- distinguish between the essential and the trivial. Maintaining Mom's approval, especially when she signs the checks, is essential. Soap isn't. The same is true in fiction. Plot, character, and setting can all benefit from the judicious addition of detail. Telling detail can help define character, create suspense, establish setting, amplify theme, and further plot. But you can do this well only if you distinguish between essential detail and trivial detail. Your reader has been trained to retain information for later use, even if it's just a detail mentioned in passing-- in other words, she has the right to expect that most everything you've put in your story is there for some good reason. The more trivia you insert, the more her mind is going to be cluttered, and the less she'll be able to focus on the real story. You'll be frittering away your reader's attention, instead of focusing it, and frittering away her patience, instead of rewarding it. As an example, pick up nearly any book by those young writers known collectively as "the literary brat pack"-- Jay McInerney, Bret Easton Ellis, Amy Hempel, and a host of other former sophomore creative writing students. Their books embellish minimum plot with maximum detail-- brand names, verbatim headlines, precise directions to actual places. The effect is rather like draping a skeleton in costume jewelry. No one in these stories ever just buys a newspaper-- it's always the National Enquirer, and the cover story is always described ("Elvis's Space Alien Baby!"). No one ever wears just a white T-shirt-- it's always from the Gap, or festooned with some graphic: an anatomical drawing of a heart, the Coke slogan, the NYC subway map.
Miami Telegraph ELVIS ARE YOU OUT THERE? Tax raises inevitable say economy experts[?]
Ohio Chronicle SIGHTINGS OF ELVIS IN YETI COLONY Earthquake survivor survives five days without water
Chicago Post Long Live the King Power plant denies cancer risk Crash leaves actor crippled Remember, most readers these days are trained. They expect these details to have some significance. And so there they are, puzzling over what it means for someone to wear the NYC subway map on his chest. And certainly there must be some symbolic significance to that Elvis space alien? Or maybe Elvis is there in grocery store, and the heroine is going to identify him? Imagine how disappointed such diligent readers are going to be when they get to the end of the book and find that the hero must have worn that T-shirt because it was the only clean one he had, and that the heroine never gives Elvis or his poor alien baby another thought. Now, to do justice to the writers I'm maligning, I must confess that there is some supposed method in their madness. They're trying to show the fragmentation of modern life, the inability of humans to communicate, the meaninglessness of existence; as one of their number puts it, to reflect "shortened attention spans, fractured marriages, and splintering families." In other words, they want to fritter away their stories on detail. Just like in real life. Fine. Let them fritter. But those of us writing in the popular fiction genres would do better to follow Mark Twain's dictum: "Of course truth is stranger than fiction. FICTION HAS TO MAKE SENSE." Our readers, those heartless creatures, won't settle for non-sense, even the brand-name variety. (c. 1997 by Alicia Rasley)www.sff.net/people/Alicia/artg1.htm
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Post by stufarq on Sept 1, 2009 21:11:30 GMT
The aisles of women screaming and weeping probably refer to a concert rather than a funeral. Hysterical (often female) fans weeping because they're overcome with the emotion of being in the same room as their idol are common at concerts. "Could you see the guy who was driving? Could you climb higher and higher? Could you climb right over the top?" may refer to the 1981 film King Of the Mountain, about a car race up the Mulholland Drive mountain road - although how this would relate to the rest of the song is beyond me. www.imdb.com/title/tt0082619/The title could, as has been suggested, mean the same as "King of the castle". Certainly Americans use the phrase "King of the hill" in much the same way and there is a King of the Mountain wrestling match. However, I think the reference is more likely to legendary kings and heroes such as Arthur and Charlemagne who are said to be sleeping under mountains awaiting the summons to arise with their knights and defend the nation in time of grave peril. The idea of a long-dead hero returning fits with the notion of Elvis still being alive somewhere. "And there's a rumour that you're on ice And you will rise again someday"
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Post by tannis on Sept 8, 2009 19:27:13 GMT
The title could, as has been suggested, mean the same as "King of the castle". Certainly Americans use the phrase "King of the hill" in much the same way and there is a King of the Mountain wrestling match. King Of The Mountain clearly references Elvis 'The King' Presley and William 'King of the Castle' Hearst.
William Randolph Hearst was the man behind Hearst Castle. Throughout his life, Hearst dreamed of building a dwelling similar to those he had seen on his European tour as a boy. Hearst Castle was to become the realization of this dream as he and architect Julia Morgan collaborated for 28 years to construct a castle worthy of those he saw in Europe. During construction Hearst used the Castle as his primary residence and it was here that he continually entertained the elite of Hollywood, politics and sports. Hearst left his San Simeon estate in 1947 to seek medical care unavailable in the remote location. While the Castle was never completely finished, it stands as the remarkable achievement of one man's dream. Hearst amassed a vast and impressive art collection that included classical paintings, tapestries, religious textiles, oriental rugs, antiquities, sculptures, silver, furniture and antique ceilings. Much of this collection found its home at Hearst Castle and Hearst's various other properties, while the remainder filled warehouses on both the East and West Coasts.However, I think the reference is more likely to legendary kings and heroes such as Arthur and Charlemagne who are said to be sleeping under mountains awaiting the summons to arise with their knights and defend the nation in time of grave peril. The idea of a long-dead hero returning fits with the notion of Elvis still being alive somewhere. "And there's a rumour that you're on ice And you will rise again someday" King Of The Mountain does connect popular beliefs about Elvis Presley's death, with references to Citizen Kane and the "King in the Mountain" motif.
The Sacred Mountain of the East refers to Mt. Tai in present-day Shandong Province. The Great Emperor of the Sacred Mountain of the East is its mountain spirit. Elsewhere is Asia is the cult of Siva, 'King of the Mountain'.
A king in the mountain, king under the mountain or sleeping hero is a prominent motif in folklore and mythology, that is found in many folktales and legends. King in the mountain stories involve legendary heroes, often accompanied by armed retainers, sleeping in remote dwellings, including caves on high mountaintops, remote islands, or supernatural worlds. The presence of the hero is unsuspected, until some herdsman wanders into the cave, typically looking for a lost animal, and sees the hero. A number of kings, rulers, and fictional characters and religious figures have become attached to this story. J. R. R. Tolkien uses the king in the mountain in various places in his legendarium.The aisles of women screaming and weeping probably refer to a concert rather than a funeral. Hysterical (often female) fans weeping because they're overcome with the emotion of being in the same room as their idol are common at concerts. And, yes, the song does seem to open at an Elvis concert rather than at his funeral.
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Post by tannis on Sept 8, 2009 20:27:10 GMT
Could you see the guy who was driving? "Could you see the guy who was driving? Could you climb higher and higher? Could you climb right over the top?" may refer to the 1981 film King Of the Mountain, about a car race up the Mulholland Drive mountain road - although how this would relate to the rest of the song is beyond me. On a perfect summer afternoon in Wentworth, Ohio, many of the citizens who live on Poplar Street are killed mysteriously, and at the center of the mystery is a young boy named Seth Garon, whose supernatural powers are just awakening...KaTe's KOTM is full of folkloric Kings. So could one of the kings in the mountain be Stephen King? After all, it is well known that Kate has read his work and has used library books for a source of lyrics...
"The guy that was driving the blue van," he finishes. "The other one shot her — the human — but this is the guy who was driving." ~ The Regulators, Stephen King (1996, p.204)In the early days, did you write the lyrics first? KT: "I usually started off with the tunes, and used library books for a source of lyrics, but I couldn't get on too well with the restriction of always fitting the music to the words. So I started making my own lyrics up alongside the music." Electronics & Music Maker, 1982 www.gaffaweb.org/reaching/i82_emm.html
Do you do a lot of reading? KT: "No, not really, because I just don't get the time. But whenever I do it really sparks things off in me. The last book I read was The Shining and it just blew me away, it was absolutely brilliant, and that definitely inspired "Get Out Of My House" because the atmosphere of the book is so strong." Melody Maker, "Dreamtime Is Over", Oct. 16, 1982 gaffaweb.org/reaching/i82_mm.html
KT: Every book I've read has had a very big effect on me. At the moment it's a conscious decision that I'm trying to do a lot more reading. When I was very little I read a lot, but not that much in my twenties. I think people should read more; we've all got conned by the cheap thrill of television. Reading a book does not just make you think, it makes you explore. I think The Shining is terrific; its the only book by Stephen King I've read. It's atmosphere ended up in a couple of my songs, and "Get Out Of My House" (from The Dreaming) was very inspired by it. I think literature is the most powerful form, but all works of art inspire artists; I find films very inspirational. Q/HMV, "Follow That!", 1990gaffaweb.org/reaching/i90_q2.htmlCould you see the guy who was driving? ... "It's him, Brad," Johnny repeats. He curls his ringers into his hair and gives a brief hard tug, as if to assure himself that all this is really happening. "The — " There's a vicious buzz, almost like a plucked guitar-string, over their heads, and the hall light-fixture explodes, showering glass down on them. "The guy that was driving the blue van," he finishes. "The other one shot her — the human — but this is the guy who was driving." He reaches out and picks up one of Ralphie Carver's action figures from the hall floor, which is now littered with glass and splinters as well as toys. It's an alien with a bulging forehead, almond-shaped eyes that are dark and huge, and a mouth that isn't a mouth at all but a kind of fleshy horn. It's dressed in a greenish iridescent uniform. The head is bald except for a stiff blond strip of hair. To Johnny it looks like the comb on a Roman Centurion's helmet. Where's your hat? he thinks at the little figure as the bullets whine through the air above him... ~ The Regulators by Richard Bachman/Stephen King (1996, p.204)The Regulators is a novel by Stephen King under the pseudonym Richard Bachman. It was published in 1996 at the same time as its "mirror" novel, Desperation. The two novels represent parallel universes relative to one another, and most of the characters present in one novel's world also exist in the other novel's reality, albeit in different circumstances. When his parents and brother and sister are murdered in a drive-by shooting, Seth Garon, an autistic six-year-old (his mirror character in Desperation is vastly verbal), is adopted by his aunt, Audrey Wyler, and her husband Bill, and taken to live on Poplar Street. Not only autistic, Seth has also been invaded by Tak, an evil entity once buried in a silver mine, who emerges and brings to Poplar Street futuristic vehicles based on images from a Saturday morning animated cartoon, MotoKOPS 2200, as well as characters drawn from reruns of Bonanza's Cartwright saga, and from a 1958 B-movie Western, The Regulators. Poplar Street turns into a killing field as nasty MotoKops blast away at houses and their terrified inhabitants and strange wild beasts with bodies as outlandish as a child's drawings haunt the block. Can Audrey and Seth, helped by aging novelist John Marinville, take on Tak and save Poplar Street from the Saturday morning TV grislies? Television takes a beating as Bachman gooses his cast with forced vulgarity and dumb jokes, and a lovely whimsy clanks off like a 12-ton robo-toy. Read Desperation first and The Regulators may come off in the spirit Bachman/King intends.
Could you climb higher and higher? Could you climb right over the top?
The phrase "over the top" also leads to the King of Horror's work...
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Post by stufarq on Sept 8, 2009 21:02:21 GMT
King Of The Mountain clearly references Elvis 'The King' Presley and William 'King of the Castle' Hearst. Yes, I know that (I mention Elvis later in my post) although I'd forgotten about Hearst's castle and his being called "king of the castle". The title is obviously multi-layered and I was taking its reference to Elvis and Hearst as read considering it had already been discussed in the thread. I was musing more on why the song was called King Of the Mountain, as this doesn't contain any obvious connection to either.
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Post by tannis on Sept 8, 2009 21:27:45 GMT
King Of The Mountain clearly references Elvis 'The King' Presley and William 'King of the Castle' Hearst. Yes, I know that (I mention Elvis later in my post) although I'd forgotten about Hearst's castle and his being called "king of the castle". The title is obviously multi-layered and I was taking its reference to Elvis and Hearst as read considering it had already been discussed in the thread. I was musing more on why the song was called King Of the Mountain, as this doesn't contain any obvious connection to either. Sorry Stu for repeating the thread. And just to clarify, Hearst being called 'King of the Castle' is an epithet I applied, playing on Hearst Castle. And on Hearst, mountains and snow, I found this poem, "The Song of the River", which WRH wrote in 1941... Along with his numerous other writings, William Randolph Hearst penned the following poem, which has become the favorite of all of those in the Hearst organization. Reprinting the poem is the traditional method of the Hearst Newspapers for remembering the founder on the annual anniversary of his death on 14 August 1951."The Song of the River" by William Randolph Hearst (1941)
The snow melts on the mountain And the water runs down to the spring, And the spring in a turbulent fountain, With a song of youth to sing, Runs down to the riotous river, And the river flows to the sea, And the water again Goes back in rain To the hills where it used to be.
And I wonder if life's deep mystery Isn't much like the rain and the snow Returning through all eternity To the places it used to know. For life was born on the lofty heights And flows in a laughing stream, To the river below Whose onward flow Ends in a peaceful dream.
And so at last, When our life has passed And the river has run its course, It again goes back, O'er the selfsame track, To the mountain which was its source.
So why prize life Or why fear death, Or dread what is to be? The river ran Its allotted span Till it reached the silent sea.
Then the water harked back To the mountain-top To begin its course once more. So we shall run The course begun Till we reach the silent shore.
Then revisit earth In a pure rebirth From the heart of the virgin snow. So don't ask why We live or die, Or whither, or when we go, Or wonder about the mysteries That only God may know.
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Post by Barry SR Gowing on Sept 9, 2009 20:44:30 GMT
King Of The Mountain clearly references Elvis 'The King' Presley and William 'King of the Castle' Hearst. Yes, I know that (I mention Elvis later in my post) although I'd forgotten about Hearst's castle and his being called "king of the castle". The title is obviously multi-layered and I was taking its reference to Elvis and Hearst as read considering it had already been discussed in the thread. I was musing more on why the song was called King Of the Mountain, as this doesn't contain any obvious connection to either. When I was a little boy we used to play "King of the Mountain". Here's a definition if you're not familiar with this game: dictionary.reference.com/browse/king%20of%20the%20mountainI believe this is relevant because the line before in the song is: "In the snow with Rosebud" In the film Citizen Kane , Kane plays with Rosebud in the snow when he is a child. King of the Mountain is also a child's game. Of course, we can immediately divine a secondary meaning - Elvis and Kane/Hearst were Top Dogs ... in other words the Kings of their respective Mountains. However, they wore their crowns without satisfaction, never finding the happiness or contentment they sought. The inference is that Elvis/Kane/Hearst could finally be happy if they could regain their childhood happiness, as symbolised by "Rosebud" and thus truly be King of the Mountain. Using a childhood game to symbolise this is important, I think.
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Post by stufarq on Sept 15, 2009 21:57:20 GMT
So, as speculated earlier in the thread it is an alternative name for what some of us know as King of the Castle. When I was young, we sang a rhyme with it: "I'm the King of the Castle and you're the dirty rascal". I think that quite a few of the suggestions fit with the song and Kate's probably referring to several of them. She seems to have squeezed several meanings out of a small number of ideas and phrases. She must have been taking lessons from Elvis Costello.
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Post by tannis on Feb 12, 2010 23:27:40 GMT
In the laws of the grand lodge “Indissolubilis” (17th and 18th centuries) there are found as doctrinal symbols of the three grades, the alchemistic symbols of salt (rectification, clarification), of quicksilver (illumination), and of sulphur (unification, tincture), used in a way that corresponds to the stages of realization of the “Great Work.” The M. H. d. C. G., 1909, p. 173 ff. remarks that we should probably regard it only as an accident, if there are not found, in the famous hermetic chemical writings, similar signs with additions as would for experts, exclude all doubt as to their purport.
I will come home again, but not until The sun and the moon meet on yon hill. In 1660 appeared at Paris an edition of a writing very celebrated among the followers of the art, “Twelve Keys of Philosophy,” which was ostensibly written by one Brother Basilius Valentinus. In this edition we see at the beginning a remarkable plate, whose relation to masonic symbolism is unmistakable (Figure 1). In addition to the lowest symbol of salt (represented as cubic stone) there is a significant reference to the earth and the earthly. [I should note that besides [Symbol: circle with diameter line] alchemy used [Symbol: square] for salt, in which there is a special reference to the earthly nature of salt. In Plato the smallest particles of the earth are cubical. Salt and earth alternate in the terminology, just as mercury [Symbol: female] and air [Symbol: air] or water [Symbol: water] do; as sulphur [Symbol: sulfur and fire [Symbol: fire]; only, however, where it is permitted by the context.] The Rectification of the subject (man) taken up by the Art, is achieved through the purification of the earthly elements according to the indication of the alchemists who call the beginning of the work “Vitriol,” and form an acrostic from the initial letters of this word: “Visita Interiora Terrae, Rectificando Invenies Occultum Lapidem” [= Visit the interior of the earth; by purifying you will find the hidden stone]. Half way up there floats the [Symbol: mercury] that has the value of a “union symbol” in the brotherhoods (as such, a symbol of fellowship) and left and right of it is found the moon and sun or the flaming star. Above is placed a triangle, in which is a phoenix rising from the flames; and on the triangle stands the crowned Saturn or Hermes (in masonry Hiram). On the left and right of this kingly form, on whose breast and stomach are placed planet symbols, we notice water in the shape of drops (tears) and flames that signify suffering and resurrection. “When we notice that not only the principles of the old ‘amateurs of the art’ correspond with those of the ‘royal art’ [freemasonry], but that the symbolism also is the same in all parts, we recognize that the later masonic societies are only a modern reshaping of the societies which dropped the depreciated names of the alchemists in order to appear in a new dress” (l. c., p. 175). That the assertion of the complete similarity of the symbolism is not mere fancy, the following considerations (and not those only in this section), will satisfactorily demonstrate. In the following examples the words showing it most clearly are italicized.
Alchemy was regarded by its disciples as a royal art. Old sources show that the art of making gold was revealed in Egypt only to the crown princes. Generally only the kings' sons were informed by the priests concerning the magic sciences. The hermetics derived their art expressly from kings, Hermes, Geber, and the patriarchs of alchemy were represented as kings.
According to Khunrath (Amphitheatrum) prayer, work and perseverance lead to eternal wisdom by the mystical ladder of the seven theosophical steps. Perfect wisdom consists in the knowledge of God and his Son, in the understanding of the holy scriptures, in self knowledge and in knowledge of the great world and its Son, the Magnesia of the philosophers or the Philosopher's Stone. The mystical steps in general contain three activities, hearing (audire), persevering (perseverare), knowing (nosse et scire), that applies to five objects, so that we can distinguish seven steps in all. Only the pure may enter the temple of wisdom, only the worthy are intrusted with the secrets, the profane, however, must stay away.
In the fifth table of Khunrath's Amphitheatrum is pictured the seven pillared citadel of Pallas (Prov. IX, 1). At the entrance is a table with the legend Opera bona (= good works). Behind sits a man with the staff of Mercury. On each side is a four sided pyramid, on the top of the left one is the sun, on the right the moon. On the former stands the word Fides (= faith), on the latter Taciturnitas (= silence). Behind the man we read the word Mysterion, over the inner entrance Non omnibus (= not for all).
A day of coincidence with the radio, And a word that won't go away. We know what they're all going to say. "G" arrives--"Funny, had a feeling he was on his way!" Alchemy frequently mentions two or three lights. By these it understood [Symbol: Sol] and [Symbol: Luna], [Symbol: Venus], [Symbol: Mercury], [Symbol: Jupiter], light of grace and light of nature, etc. The juxtaposition of [Symbol: Sol] [Symbol: Luna] and [Symbol: Hexagram] is interesting; no one can attain the desired end before, through the circular wheel of the elements, the fatness or the blood of the sun, and the dew of the moon are by the action of art and nature, united in one body in the image of the hexagram; and this can take place only by the will of the Most High, who alone imparts the unique boon of the Holy Ghost and priceless treasure according to his especial mercy. The above mentioned circular wheel is identical with the serpent that bites its own tail; it is a power that always consumes and always renews itself. This circle appears not to be lacking in the flaming star; it is the round eye or the likewise round fashioned “G,” which latter looks quite similar to the snake hieroglyph. The reference to Genesis has a good reason. Moreover, the hexagram represents in cabbalistic sense the mystical union of the male with the female potence [Symbol: Fire] with [Symbol: Water]. According to a rabbinical belief a picture is supposed to be placed in the ark of the covenant alongside of the tables of the laws, which shows a man and a woman in intimate embrace, in the form of a hexagram. In cabbalistic writings, as for instance, in those of H. C. Agrippa, we find the human form in a star, generally inscribed in the pentagram. The genitals fall exactly in the middle part and are often made prominent by an added [Symbol: Mercury] as male-female or androgyne procreative power. One of the snake shaped Egyptian hieroglyphs frequently turns into an Arabic [Symbol: gimel], i.e., gimel. I do not know whether this fact has any significance here. With respect to the above passages that mention the “will of the Most High,” I refer to the dialogue which concerns the “G”; e.g., “Does it mean nothing else?” “Something that is greater than you.” “Who is greater than I?” etc. “It is Gott, whom the English call God. Consider this mysterious star; it is the symbol of the Spirit.... The image of the holy fire, etc.”
~ Hidden Symbolism of ALCHEMY and the OCCULT ARTS, Dr. Herbert Silberer (February 28, 1882 – January 12, 1923), 1971.
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