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Post by Lori on Jul 31, 2003 23:29:30 GMT
See those trees Bend in the wind I feel they've got a lot more sense than me You see I try to resist
A rubberband bouncing back to life A rubberband bend the beat If I could learn to give like a rubberband I'd be back on my feet A rubberband hold me trousers up A rubberband ponytails If I could learn to twang like a rubberband I'd be a rubberband girl A rubberband girl me A rubberband girl me Oh I wanna be a rubberband girl
When I slip out Of my catapult I gotta land with my feet firm on the ground And let my body catch up
A rubberband bouncing back to life A rubberband bend the heat If I could learn to give like a rubberband I'd be back on my feet A rubberband hold me trousers up A rubberband ponytails If I could learn to twang like a rubberband I'd be a rubberband girl A rubberband girl me A rubberband girl me Oh I wanna be a rubberband girl
Give like a rubberband Twang like a rubberband Snap like a rubberband
Rub-a-dub-a-dub-a-dub Rub-a-dub-a-dub Rub-a-dub
One rubberband won't keep you up Two rubberbands won't keep you up Three rubberbands won't keep you up Here I go Yeah!
One rubberband won't keep you up Two rubberbands won't keep you up Three rubberbands won't keep you up
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julia
Under Ice
Give me these moments back...Give them back to me....
Posts: 15
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Post by julia on Oct 13, 2005 22:55:06 GMT
A brilliant, uplifting song. Great to turn up loud and dance around the kitchen to! My favourite song on the Red Shoes album..
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Post by tannis on Feb 19, 2009 6:46:22 GMT
Rubberband Girl Chosen as first single from the album, Rubberband Girl is up-tempo and infectiously melodic. Originally, the first single was intended to be Eat The Music. but during the production of the film to accompany the album, Rubberband Girl seemed to be catching everyone's imagination, and has proved to be a substantial chart success. [The decision not to release Eat The Music as the first single from the album represents one of the few times Kate has been influenced by outside opinions.] Although the song has a relatively straightforward pop/rock feel, the vocals are multi-tracked and some of them seem incredibly low-pitched. "This song and And So Is Love are typical of the live band feel," explains Del. "We were trying to create a very accessible, live sound and the fastest way to record was to have at least two or three people playing together initially. "On Rubberband Girl the bass, drums and basic keyboards were all done together, but we did change the whole track afterwards in the sense of editing it digitally rather than re-doing tracks. The bass and drum sound was important because we wanted to have them consistent throughout the album." Although Stuart Elliot and John Giblin's performances tended to go on to tape 'live' at an early stage, this didn't avoid the need for subsequent changes. "When you put later tracks down, the earlier ones sometimes have to change because the whole feel of the piece changes. Sometimes we had to do the bass and drums three or four times, not because we were unhappy with the original performances, but because the feel of the song had altered as new tracks were added. Rubberband Girl is one of the few that worked first time - it just has a basic rock feel with a riffing guitar, the backing vocals went down first and then we tried various lyrics and lead vocal ideas. "In most songs the lyrics change a lot during the recording process, although a basic seed remains solid. It often gets to the point of struggling over just one word which has to be returned to many times -there's never any pressure to write a song to fill a particular function, like acting as a single or being a very slow ballad, so the whole feel can often change," Future Music interview with Del Palmer, "Well red", Nov. 1993www.gaffaweb.org/reaching/i93_fm.html
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