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Post by Al Truest on Nov 5, 2005 17:57:18 GMT
Just got it today, and uh, erm, uh, She doesn't really seem to be "feeling" the lyrics like I expected. It is always dangerous to "expect" I realize that, but I'm a bit disappointed. First of all the song is at least one minute too long. Secondly I guess my expectations were so high that I thought the idea of her covering this could actually alter my sexual preference--not the case. I still prefer "outties" It more than met my expectations. In fact I now prefer it to KotM. The emotion, for me, comes in the composition and arrangement. From the outset the intricate and delicate melody is deftly augmented by the laid-back and masterfully executed guitar work. It is reminiscent of Clapton's "Pilgrim" in pace and structure. The background vocals are powerfully understated yet gird Kate's feminine interpretation of the song. A statement of theme to me in a way, that women should ask for and enjoy physical love as much as men without hesitation. Further emotion is powerfully delivered by the passionately bleating uillean pipes. With the volume cranked up the BV's create an atmosphere that is charged with emotion. The mixing of the pipes i.e. the reverberation, echo and structure, was a testament to the musical genius of Kate Bush. The climactic ending is full of feeling. You could even get misty-eyed if you let the pipes carry you away. This song is more musically complex than a lay person may realize. The musicianship and execution have been brilliantly presented. I could have listened if it were twice as long. Funny how it hits people differently. The funk, to me, was a more mellow interpretation than the original. And the pipes sounded like a sheep having an orgasm on an echoing Scottish mountaintop. This was my least favorite part. .... And she is saying "heal me baby" Another way of saying 'do me'
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Post by Xanadu on Nov 5, 2005 19:38:56 GMT
And the pipes sounded like a sheep having an orgasm on an echoing Scottish mountaintop. LOL. Thanks Al... I will always think of you and this image from now on! ;DGreat thoughts on the song from both of you. I fall somewhere in the middle. I was never a big fan of this song, but I like it better now. I have only given it one listen, but I'm sure it will continue to grow on me. And, I like it a little longer.
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Post by Al Truest on Nov 5, 2005 21:34:50 GMT
And the pipes sounded like a sheep having an orgasm on an echoing Scottish mountaintop. LOL. Thanks Al... I will always think of you and this image from now on! ;DGee, I don't know if I want to be remembered in that way. ;D I'm positive that it will grow on you. Get out your 'Lethal Weapon 4" soundtrack (I know you have it ) And listen to "Pilgrim for your Love" You've heard me remark on how much I like this song. (do you remember?) Anyway, listen to the guitar and see if you don't get a similar 'laid-back' vibe. Then play 'Sexual Healing', listening for nuances and layers.
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Sheila
Moving
Life is a minestrone served up with parmesan cheese.
Posts: 701
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Post by Sheila on Nov 6, 2005 2:04:28 GMT
I agree with a lot of what you said, Al, and the song has totally grown on me! I'm over my initial "Aw, I thought it would be alll Mmmmyes like TSW" disappointment. I can't stop playing it now!!
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Post by Al Truest on Nov 6, 2005 2:29:09 GMT
I agree with a lot of what you said, Al, and the song has totally grown on me! I'm over my initial "Aw, I thought it would be alll Mmmmyes like TSW" disappointment. I can't stop playing it now!! Of course I am right once again. (I've played it incessantly. ) It has really whet my appetite for more. I've been reading from some other forums (just lurking, no posting mind you) to see what people are saying about "Aerial" From what I've read, there will be much to enjoy and share.
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Post by Adey on Nov 6, 2005 19:38:36 GMT
Love the analysis Al - can't disagree at all. I've no idea about the guitar player but it's superb work - Kate's significant other? His rhythm playing is masterfull (listen to Constellation of the Heart from TRS) Kate's version of this song is so amazing, that I'm surprised that the single wasn't promoted as a double header - great cover great song and a perfect time for SH to be re-visited. Interesting that we are referring to Kate's new single - and KoTM is nearly 10yrs old. I'm guessing that SH is even older..
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Post by Al Truest on Nov 7, 2005 3:13:54 GMT
I'm anxious to find out who all the players are.
Also another layer worth mentioning on SH, that I focused on today, is the percussion - great timing for such a difficult melody.
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Post by Adey on Nov 7, 2005 3:32:14 GMT
I'm anxious to find out who all the players are. Maybe this is the start of an answer ~ gaffa.org/moments/5_2.htmlThe song was actually a Davey Spillane track intended for his album of the time, but apparently rejected by his label as unsympathetic for the folk vibe of the album. As the vocalist, Kate ended up with the rights to the track. Now, this means presumably that the studio personnel could have been Spillane's own, rather than Kate's usual team from around that (what?) time. I'm assuming '89 - Sensual World? The intended Spillane album was "Place Among the Stones" www.amazon.com/exec/obidos/tg/detail/-/B000009EJ9/102-3602796-7171355?v=glancelater edit - actually this album seems to date from 98/99 - so the plot thickens, because the track was being played at KB conventions in 94/95.. So could it have come from TRS sessions? If so, we're probably talking about Danny McIntosh - gtr, John Giblin - bass, Spillane - uillean pipes & Stuart Elliot - drums/perc. Unless of course, this version was re-recorded for inclusion on the later Spillane album, in which case it's more likely to be his players, rather than the guys in Kate's band..
But could it just possibly be a song that has been hanging around from TSW sessions? That would mean Spillane was contemplating using a track already 10yrs old. This seems unlikely. And I must repeat that GW describes it as a Spillane track, rather than a Kate Bush track. Nothing is certain at the moment!
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Post by Al Truest on Nov 7, 2005 4:10:24 GMT
Good work Adey. I may have read a passage from Gaffa long ago about this song, but I just assumed it was redone completely. It certainly adds interest. I would hazard to guess that these are indeed Spillane's guys in that the Uilleann pipes are so prevalent. If so, my earlier remarks become misplaced and Shela may have Kate's commitment to the song pegged. In any case it is still nicely done. edit: If it was from the Spillane album that you provided the link to Adey, from hearing some samples, it would have been the best track if they had used it. ('possibly anyway. There were a few good songs there)
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Sheila
Moving
Life is a minestrone served up with parmesan cheese.
Posts: 701
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Post by Sheila on Dec 14, 2005 21:22:36 GMT
Well after reading that (which I somehow missed) maybe I shouldn't say what I came here to say. What I was going to say was that if I were Kate or her promoter, I would release this as a single in America. Americans might actually pay attention to this one. So far they don't seem to be paying much attention to KOTM. (My sister heard Rubberband Girl on the radio this morning! Why would they play that now?
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Post by tannis on Feb 13, 2010 16:27:25 GMT
What Is a Sexual Healing?
Everyone has been hurt emotionally in some way by a relationship. These hurts unintentionally get stored in the first chakra (where feelings of insecurity and lack of safety are lodged) and in the second chakra (where feelings of shame and inhibitions are stored) in men as well as women, blocking the free flow of energy, emotions, and joy. The blockages can come from past painful relationships; abusive sex; physical conditions (such as a hysterectomy); emotionally charged experiences (abortion, miscarriages); shame and embarrassment; body hate; intimacy and commitment fears; religious prohibitions; or parental punishments.
A sexual healing involves specific rituals to assist someone through an experience to clear these pains or blocks locked in the body. It is important to distinguish these healing sessions from the nights of pleasure we discussed in Chapter 10, "Giving Her the Best Nights Ever," and Chapter 11, "Giving Him the Best Nights Ever." The healing sessions entail more ritualized interaction in which the healer and receiver have very distinct roles, with the focus on uncovering and releasing any blocks in the receiver's sexual responses.
When you heal your own past wounds in this way, your newfound wholeness extends beyond just you. In fact, you are healing all beings on this planet. And when you are the healer, you represent many divine beings who have healing powers. Your actions help heal everyone suffering from similar pain and heighten you for everyone.
Both men and women can benefit from various techniques used for sexual healing. Hawaii-based tantra and yoga master Charles Muir is a pioneer in developing these healing techniques for men and women and has taught then to many trainees and thousands of couples.
~ The Complete Idiot's Guide to Tantric Sex, Judith Kuriansky, (2001, p.216).
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